UNZ.org - Periodicals, Books, and Authors
Many Millions of Pages of Readable, Searchable Content at Your Fingertips
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Q: What is UNZ.org?

A: The UNZ.org website is intended to provide convenient access to a large quantity of high-quality content material, mostly published over the last 150 years in America and England, including both articles and books, encompassing over one million readable items and titles of another million items not readable due to copyright. Much of this material has never previously been available anywhere on the Internet and should be useful for researchers and intellectual historians.

Q: Why do you include non-readable articles and books?

A: The inclusion of the copyright-excluded material allows users to examine a more nearly complete collection of a given author's writings, even if many of the particular items themselves are currently unavailable due to copyright. If necessary, many of these other items can often be accessed and read on other websites or content systems, especially in the case of extent publications. Furthermore, there is a chance that at some future point these publications will be released for reading on this website as well.

Q: The website seems very different than when I previously visited. What's the story?

A: The current Version 2.0 release of UNZ.org incorporates major design changes from the previous version, but nearly all of the same underlying printed content is still available. Given the relatively slight use of the previous links to external videos and webzines, these portions have been removed, thereby streamlining access to the printed materials which constitute the main value of the system. Another major change has been the widespread use of Javascript, rendering most of the pages "reactive" as you begin entering information.

Q: How do I find a given author or publication?

A: Most of the main pages of the website contain one or more "Reactive Clouds," with the names of various authors or publications. Javascript functions cause these Clouds to "react" and change the displayed information as you begin typing in the entry boxes. For example, as you enter the first few letters of an author's name on the Home page, the Clouds adjust to display only those authors whose names begin with those letters. Similar adjustments occur as you start typing in a particular decade or year, or if you select one of the drop-down settings or other filter. This allows you to quickly focus in on the individuals you are seeking based on your particular criteria.

At any point, the relative size of the names in a given Cloud indicates the volume of underlying content material associated with that name. Meanwhile, the color indicates what fraction of the content material is readable (for copyright reasons): bright blue indicates mostly readable, dark blue indicates partly readable, and black means mostly unreadable

Q: How do I find a given article or book?

A: The main Articles and Books pages, as well as the Overview tabs for individual authors or publications, display a Listing of articles (or books) towards the bottom of the page. Like the Clouds, these Listings are "reactive" and automatically adjust as you being typing in any of the information in the various data entry fields---Title, Author, Publication, or Period, displaying only those items that match your selection.

Q: What about the individual publications?

A: When you reach the pages associated with a given publication, you can examine the contents in a number of different ways, accessed via the different tabs. The default Overview tab gives you the Cloud of authors for that publication plus the Listing of individual articles, with both of these being "reactive" as you provide information in the Title, Author, or Period fields.

There are also several other tabs. The Tree tab displays a dynamic tree allowing the individual time periods, issues, and articles to be opened for greate detail. The Year Contents tab displays the tables of contents for all the issues of a given year, the Issues, Small Covers, and Large Covers tabs display those views of the contents for a given decade, and the All Years tab provides an overview of the entire archive of the periodical. In addition, the drop down field in the control bar may be used to explore the different periods. All these pages allow for convenient browsing of the contents of a given periodical and clicking on any of the individual links accessing more detailed information.

Q: How does Searching work?

A: As mentioned above, much of the exploration of the website contents is normally performed by browsing the various different pages or entering information into the various text fields and having the displayed information automatically adjust. Actual Searches are performed in a parallel manner, by entering the target information into the data fields and then pressing the Search button (or simply hitting Enter). The system then performs a Search across the selected Text, Title, Author, and other information and displays the findings in a new Search Results tab.

Searches may be performed on any of these individual pages, or on the Power Search page, which allows for more detailed Searches across all content material.
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Edith Oliver -
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Articles
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Title Publication X Period Text
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Type? Genre/Topic? Subtitles?
  • Author: Edith Oliver

    Total Archives: 662 Items - 631 Articles, 31 Reviews
  • Content Type
    - ALL
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    Book/Film Reviews - All Years
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    1. [+]
      (2 Reviews)
      Half Step
      1. Take a Giant Step (1959 Film) by Philip Leacock
      2. One Hundred and One Dalmatians (1961 Film) by Hamilton Luske, Wolfgang Reitherman, ...
      The New Yorker
      , March 18, 1961, pp. 162-163
    2. [+]
      (2 Reviews)
      New Duds
      1. Go Naked in the World (1961 Film) by Ranald MacDougall
      2. All in a Night's Work (1961 Film) by Joseph Anthony
      The New Yorker
      , March 25, 1961, pp. 137-146
    3. [+]
      (2 Reviews)
      Substance
      1. Shadows (1959 Film) by John Cassavetes
      2. The Absent-Minded Professor (1961 Film) by Robert Stevenson
      The New Yorker
      , April 1, 1961, pp. 122-125
    4. [+]
      (2 Reviews)
      The Daring Young Men
      1. One-Eyed Jacks (1961 Film) by Marlon Brando
      2. Saturday Night and Sunday Morning (1961 Film) by Karel Reisz
      The New Yorker
      , April 15, 1961, pp. 153-155
    5. [+]
      (Review)
      Home Movie
      1. L'Avventura (1960 Film) by Michelangelo Antonioni
      The New Yorker
      , April 22, 1961, pp. 144-146
    6. [+]
      (Review)
      The Soft Life
      1. La Dolce Vita (1960 Film) by Federico Fellini
      The New Yorker
      , April 29, 1961, pp. 126-131
    7. [+]
      (Review)
      True or False?
      1. Follow a Star (1959 Film) by Robert Asher
      The New Yorker
      , May 6, 1961, pp. 159-160
    8. [+]
      (2 Reviews)
      German Lesson
      1. Mein Kampf (1960 Film) by Erwin Leiser
      2. The Bridge (1959 Film) by Bernhard Wicki
      The New Yorker
      , May 13, 1961, pp. 166-167
    9. [+]
      (Review)
      The Master, as of Old
      1. Two Women (1961 Film) by Vittorio De Sica
      The New Yorker
      , May 20, 1961, pp. 152-153
    10. [+]
      (2 Reviews)
      All Done With Mirrors
      1. Please Turn Over (1960 Film) by Gerald Thomas
      2. Parrish (1961 Film) by Delmer Daves
      The New Yorker
      , May 27, 1961, pp. 107-108
    11. [+]
      (2 Reviews)
      The Complete Works of Danny Kaye
      1. On the Double (1961 Film) by Melville Shavelson
      2. Violent Summer (1959 Film) by Valerio Zurlini
      The New Yorker
      , June 3, 1961, pp. 121-124
    12. [+]
      (2 Reviews)
      Upper East Side Story
      1. The Young Savages (1961 Film) by John Frankenheimer
      2. White Nights (1957 Film) by Luchino Visconti
      The New Yorker
      , June 10, 1961, pp. 130-131
    13. [+]
      (2 Reviews)
      Cutting Down Father
      1. The Pleasure of His Company (1961 Film) by George Seaton
      2. Man in the Moon (1960 Film) by Basil Dearden
      The New Yorker
      , June 17, 1961, pp. 78-81
    14. [+]
      (2 Reviews)
      Paris and Concordia
      1. The Cheaters (1958 Film) by Marcel Carne
      2. Romanoff and Juliet (1961 Film) by Peter Ustinov
      The New Yorker
      , June 24, 1961, pp. 58-61
    15. [+]
      (2 Reviews)
      Yes, Yes, Yes
      1. Money, Money, Money (1962 Film) by Claude Lelouch
      2. Strangers in the City (1962 Film) by Rick Carrier
      The New Yorker
      , July 28, 1962, pp. 70-76
    16. [+]
      (2 Reviews)
      In Perfect Time
      1. Shoot the Piano Player (1960 Film) by Francois Truffaut
      2. A Matter of WHO (1962 Film) by Don Chaffey
      The New Yorker
      , August 4, 1962, pp. 50-51
    17. [+]
      (2 Reviews)
      In My Lady's Chamber
      1. The Notorious Landlady (1962 Film) by Richard Quine
      2. Hemingway's Adventures of a Young Man (1962 Film) by Martin Ritt
      The New Yorker
      , August 11, 1962, pp. 46-47
    18. [+]
      (2 Reviews)
      A Boy at War
      1. My Name Is Ivan (1962 Film) by Andrei Tarkovsky and Eduard Abalov
      2. The Third Lover (1963 Film) by Claude Chabrol
      The New Yorker
      , July 6, 1963, pp. 42-43
    19. [+]
      (2 Reviews)
      Prize-Winner
      1. Hand in the Trap (1963 Film) by Leopoldo Torre Nilsson
      2. PT 109 (1963 Film) by Leslie H. Martinson
      The New Yorker
      , July 13, 1963, pp. 68-69
    20. [+]
      (Review)
      Smashing Away
      1. This Sporting Life (1963 Film) by Lindsay Anderson
      The New Yorker
      , July 20, 1963, pp. 72-73